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文学与电影的互动与借鉴-Essay代写范文

2016-12-28 | 来源:51due教员组 | 类别:Essay代写范文

英国essay论文精选范文:文学与电影的互动与借鉴,这篇论文讨论了文学与电影的互动与借鉴。若电影脱离文学对其的辅助,就会变得像没有灵魂的躯体。从文学和电影的互动关系来看,文学可看作是电影发展的源头,而电影又会帮助文学产生较多的新型样式。文学对电影有定位作用,而电影中很多表现形式均借鉴于文学作品。

文学与电影,Literature and Film,英国论文辅导,代写英国Essay,英国论文代写

The creation of the film needs the help of literary works to complete, the film of this emerging art form, in the process of its formation from the literary mother to absorb a lot of nutrition. From the history of the development of Chinese and foreign films can be found, more excellent film and television works are derived from the adaptation of literary works. In the early period of the Republic of China, the literary works adapted to the film are Lu Xun's "Blessing" and "True Story of Ah Q", Mao Dun's "Lin Jia Pu Zi" and "Zi Ye" etc; and the new period adapted into the film literature is more, Such as the famous writer Mo Yan's "Red Sorghum" series, Yu Hua's literary works "alive" and so on. From the world of film, the film and literature cooperation is more extensive. Film production needs to borrow more literary materials and resources to determine the film production process will be a profound impact on literary aesthetics, which can be explained from the following three aspects:

The narrative aspect of the story, movies and literary works will use the form of storytelling. As the fifth generation of directors on behalf of Zhang Yimou, is good at telling the story on the film screen. From the fifth generation of filmed film selection and options, literary works have a certain leading role, through the literature works will be able to insight into the film's specific trend, development and future changes. As most of contemporary films are adapted from literary works, it is necessary to research modern Chinese literature in the course of contemporary film research, such as "Red Sorghum", "Living" and "Wives and Concubines". In these literary works is full of the characteristics of traditional Chinese aesthetics, so that the plot of the film freely, the film language humorous, making the film's literary features are fully demonstrated. In the process of characterization, literary works emphasize on the shaping of certain characters in specific circumstances, which is the condition for shaping the typical characters in the film. More classic literary figures such as Camel Xiangzi, Ah Q, etc. have been adapted to become the characters on the screen, through the screen will be the contradictions and conflicts of the performance of the vivid characters, so that the characters in the film works Art crystallization. In the expression of emotion, literature and film have a certain similarity, that is, the search for the meaning of life will be the perpetual subject of the show. Literary works often permeate the author's view of the value of life, which embodies the author's unique understanding of life and different emotions; thus also changes in the film works show self-contemplation of the composition, which through the film form and the role of people Of the spiritual world, which makes people on the ideal, destiny and the reality of food for thought.

The Role of Literature in the Orientation of Films. The more outstanding works of literature are the prerequisites for the production of outstanding films. The value of literature and art is mainly manifested in its own rich aesthetic and poetic humanistic concern. The emphasis is on highlighting the perception and transcendence of the individual to the reality, in order to seek the overall state of human existence and the value of existence. Such as a foreign director of the film "Sicilian beautiful legend", which is presented in Sicily on the legend of the story. The film's original work called "Marlena", the film content mainly from the perspective of juvenile Reynolds show, described the World War II lost her husband's young woman Marlene's extraordinary experience. In the film although the plot is more plain, however, in this dull tone but can show the human ugly and brilliant. In the domestic film is more intense literature also has a certain expression. By Shen Congwen literary adaptation of the film "Border Town" is not difficult to see that literature can bring people to the emotional comfort and spiritual inspiration. Because the literature is rich and profound, so after the adaptation of the film with a more strong cultural heritage and cultural care.

Many forms of expression in the film are drawing and literary works, such as metaphor, exaggeration and symbols. In the film plot of the stretch and the characters in the dialogue can clearly find the literary way of presentation. In addition, literary works can generally show the different backgrounds and times of the characters, which is conducive to the expression of film history in a large extent, such as the social features of Beijing during a certain period. If the works can be adapted into the form of film, you can restore the original era of the real, in order to obtain people's identity and perception, which will allow more attention to be attracted to produce the best artistic infection.

Objectively speaking, the film has a certain dependence on literature. However, because it belongs to a more independent image art, which rely on sound and images and other resources integration of visual arts, the use of this art, allowing people to get the maximum degree of visual experience and entertainment. The emergence of this form of art film, greatly impacted the ancient literature of this traditional format. In the same subject, the literature shows the ambiguity and fiction, while the film is to reproduce the concrete and authenticity. Therefore, at this stage of the rapid development of cultural consumption, due to the development of the film industry has brought huge economic benefits, which formed a certain impact on the literature. In this situation, the literature began to lay down the arrogant figure, and then take the initiative to seek cooperation and the film, this tendency is a concrete manifestation of the literature against the reverse creation. In the creation of literary works, the authors deliberately change the content and methods of writing according to the standards of the film. In the process of making the theme, character and story of the film, the film's performance needs to penetrate into the film. In the works, such as rapid scene changes are used in the creation of literary works, so as to facilitate adaptation of the film form.

The impact of the film on literature is also reflected in the promotion of "three-dimensional readers" appear. As the film itself has a certain popularity and entertainment features, thereby effectively reducing the threshold for the public aesthetic, shortening the distance between the public and the arts. Many films are from the more classic literary adaptation, with the dissemination of the advantages of the film so that the audience in the viewing process to eliminate the more serious sense of awe of literature, which makes part of the audience after the end of the film can read the original. Therefore, under the spread of the film, can get more "three-dimensional readers" army, which makes the literature and return to the popular reading. In the current form of consumption, culture has become a consumption of goods. The general public will generally through the film and television and other non-text forms of literary works of understanding, and then the original reading. In this form, the more literary works will be due to play the same name of the film and gain new attention and vitality.

From the perspective of the history of film development in China, the adaptation of literary works into films is divided into two main stages: the early and late 20th century. In the early 20th century, the successful adaptation of the works of the film from the French literary work "Insurance Party 10 Sisters" adapted from the film "Pink Skeleton", writer Xu Shenya's literary adaptation of the film "jade pear soul". But at the end of the last century, the use of literary adaptation of the film to further heat up the atmosphere. In this regard, Zhang Yimou and other directors will not only be more literary works adapted for the film, and has adapted the film adaptation of the literary works of their creation of the basic line. Zhang Yimou's adaptation of the film "Red Sorghum" are all from the adaptation of literary works. From the film "Red Sorghum" adapted from Mo Yan's novel of the same name to the movie "Hawthorn Love", which is adapted from the same name novel, the author has promoted the writer from a contemporary writer to a network writer, and thus the literary works to film adaptation To a higher level. From here you can see, the film follows the development of literary works are gradually expanding the material base.

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