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Essay代写:Still Life in oil painting

2018-01-11 | 来源:51due教员组 | 类别:Essay代写范文

下面为大家整理一篇优秀的essay代写范文- Still Life in oil painting,供大家参考学习,这篇论文讨论了油画静物。油画静物属于一种有着独立精神取向、审美价值的艺术形式,虽然它的取材多来源于现实生活中习以为常的一些事物,但是通过油画静物能够完备地呈现出创作者对生活的真实体验,对艺术审美认识,对事物的情感癖好等。

Still Life in oil painting,油画静物,英国代写,essay代写,代写

The emotion belongs to the content behind the painting creation, belongs to the life of the painting creation, effectively reveals the inner emotion and the reality of life, which is also the important emotional foundation of the formation of still lives. This essay expounds the origin and development of still life in oil painting, the analysis of the emotion of the still life in oil painting is derived from living, and the application of emotion in oil painting is discussed, which aims at the origin and development of the still Life of oil painting, and the emotion of oil painting still living is the application of the emotion in oil painting to provide some ideas.

The still Life of oil painting belongs to a kind of art form with independent spirit orientation and aesthetic value, although its material originates from some things that are accustomed to in the real world, but it can fully present the real experience of the creator to the life, the appreciation of artistic aesthetics and the emotion of things. Therefore, it is of great practical significance to study the application of emotion in the still life creation of oil painting.

From the perspective of the history of painting development, the birth of the still life of oil painting is a very long process, which has undergone repeated periods of different stages, and is regarded as the product of the continuous collision and fusion of different cultures. In the history of early art in Europe, still life is not paid enough attention, still life only in the form of the background of religious works. It is clear that the earliest oil painting, as an independent art form, was created by the Italian painter Memlin in the 1490s, and until 17th century, still life painting was studied separately by the Dutch school of painting, and gradually transformed into an independent drawing form, and entered the mature stage of still life in 18th century. The still-life painting developed to the stage of Impressionism, and the contents of its attention changed greatly. Impressionism not only belongs to a color revolution, but also a revolution that focuses on the problems of art itself and changes the value orientation of art. Based on this form of the painting what is not the focus, the emphasis is on how to draw the theory. Through the development of many centuries, still life painting is no longer limited to the role of early simple decoration.

The time of the oil painting into our country is about the beginning of 20th century, during that period, the still-life painting can not affect the major themes, making it a long time in a neglected position, resulting in a lot of oil painters to the oil painting as a lianbi of their own way, often is occasionally painting a painting, rarely lifelong researcher. Through the development of most of the century, the still life of oil painting in our country has become more and more active, and more and more painters have carried out research in this field. The still-life painting in our country has been transformed from the early heavy sense and the heavy surface into the stage of heavy expression and heavy feeling, and it has further developed into the process of recognition and the image expression, and the independent language system is gradually replacing the past basic training method.

Art comes from life, but above life. The source and inspiration of artistic creation usually comes from life archetype and phenomenon. In other words, all kinds of things in life can be used as the source of the original art material, and the artist takes the art means to make deep processing, creating an intriguing work. The artistic creation originates from the abstract thought, the abstract thought originates from the painter to the life various experience, the sentiment, specifically is through the interviewers, the Quweicunzhen way carries on the transformation to the life feeling material, and uses a series of means to express it. In life, many painters through painting to show people the world of their own lives, so small a still life is true from the heart, from life. As an example of still life oil painting by contemporary painter Sun Changwu, during his creation, he advocated a simple, natural artistic beauty, his work is not gorgeous color staggered, only to create a quiet, creation of the light source generated by the law of the dynamic, comprehensive calm presents a very simple art beauty. This trait is particularly valuable in today's noisy human environment. and its persistent spirit of learning, down-to-earth painting style for its steady walk in the art of laying a solid foundation, and so long in that a soul of pure land to maintain, from the beginning to watch the creation of Sun Changwu, the audience will often get the peace of mind.

Every painter in the process of creating a still life painting, usually a specific object to the painter formed a strong visual impact and pleasure of the senses, or related life past, visual images of color, line and the love of the module to generate an interest in the uncontrollable, so that the painter formed a strong inner desire, To present this series of feelings of self-expression.

Usually, the painter chooses the object which is closely connected with his life and the thing that is indispensable in his own life, which belongs to all kinds of affective factors such as love, memory and dependence, so that he can present the experience of the line and the color and express the artist's spirit interest. such as Morandi's Still Life series, Van Gogh's Sunflower series, all belong to the painter's ultimate love, resulting in the shape, color of the favor, and further access to the form, color on the psychological content to comfort. In the case of a still-life oil painting, it has its own specific subject, human nature, moral and aesthetic direction, and the author's personal standpoint of aesthetic appearance. In the composition of Still life, the painter on the one hand, the color, texture, lines and other elements of the composition of the balance; on the one hand, we also have to consider the emotional and other related incidental factors such as the constraints, this part will run through the life of oil painting process, and the painter constitute endless visual enjoyment and body and mind intoxicated, Just like far-reaching, the position of a still life, will be followed by the traction other still life of another positioning, interaction, this all aspects will be influenced by the painter's emotional adjustment, technical manipulation.

For a painter, it is often through the composition to express their own view of the world, but also through the composition of the audience to guide the objective material world from that angle. The selection of an angle is influenced by many factors such as the painter's own emotion, aesthetics, experience and practical ability. The acquisition of an angle usually takes a long time to accumulate before it can be obtained by chance. Based on the pyramid-shaped composition from peacetime, overlooking, looking up and other dimensions of the way to start thinking, can be drawn out of the endless visual form of the possibility and pursuit, however, it is bound to the painter's emotional presentation, close to the spirit of the show accompanied by compliance. In order to present a specific theme, the painter infiltrated the subject into his own life, and further formed the inseparable interdependence of each other, the distinctive emotional expression and the behavior hint, belonging to the painter for a long time, belong to the painter for a long time the adhesion of the method.

Choose which oil painting the Still life style belongs to the painter art living emotion and posture, the true feelings of habit and character also belong to a kind of feedback and strategy of painters to oil painting performance, material and cognition, which belong to the painter's duty, responsibility and obligation to the source far art history, which is bound to involve the physiology, psychology, Geography and other factors, but in general, painting always belongs to the emotional aspects of the "object", will eventually be to understand the emotional function and humanistic spirit products, in this need for the painter to his painting, skills, in-depth study, mastery of technology can make the painter in real sense into the world of painting, Realize the effective transition from inevitability to freedom.

Oil painting still life The art form language continues, development, we need to do is in the field of continuous research, summing up experience, followed by the footsteps of our predecessors, create more and more emotional oil painting still life, promote the development of oil painting still life technology, promote the Chinese oil painting in the history of the world oil painting to occupy a favorable position.

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