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Essay代写:American Independent movie

2018-09-11 | 来源:51due教员组 | 类别:Essay代写范文

下面为大家整理一篇优秀的essay代写范文- American Independent movie,供大家参考学习,这篇论文讨论了美国独立电影。哈莫尼科林是美国独立电影界的一位怪才导演,他的作品始终坚持着自己独特的影像风格和电影制作上的独立性。他的电影作品开辟了一条十分复杂并否定轻易评论的途径,颠覆了传统上逻辑直白草率的思路,模糊了普通的非黑即白的对立思想,同时也为美国核心文化与理想付诸了十分有趣的摸索。

American Independent movie,美国独立电影,英国代写,英国论文代写,essay代写

Harmony Colin is a maverick character of American independent film, from the beginning of the medium teenager, to the later, the "spring break" over the years, he always adhere to their own unique style of video and film production on independence. His works have opened up a very complicated and negative way of easy comment, subverted the traditional straightforward and careless logic, blurred the common opposition of black and white, and put into practice a very interesting exploration of the core American culture and ideals. This article will try to interpret the theme presentation, narrative technique, audio-visual style, characters and other aspects of his work.

For Harmony Colin and his film and television works, people often use "provocative" and "exploitation" to describe. In 1981, the 18-year-old filmmaker wrote the script for "the half-grown boy," which described a group of Manhattan teenagers who grew up in an environment rife with social dark elements. Famous director in the future will work to make into a movie, the film in 48th annual cannes film festival has attracted intense review divisions, with critics view on the film should be understood as the documentary shows the life style of contemporary youth and a wake-up call for people, or to understand for teenagers about sex and makes people uncomfortable, exploitation films. Harmony will be colin works, explore the characteristics of his work.

Adapted to movie director in memories of the beginning work of reason, the thought of another film and television work, the work directed by the director's guide, the film describes a gnome workhouse for a penalty event trigger public brawl, continues the style of the talented director, preferences: prefer obsession and madness beyond ordinary film system of the role of. Its highly personal characteristics vividly reveal the thick barriers between special groups and normal society and their inevitable loneliness. Everywhere in the film, the eerie and weird atmosphere, let colin have a good feeling, hear, see image at the cinema, let him know in an instant by oneself want to what kind of movie, so his order of those outside the characters in the film could explain now, colin is not balance the public's curiosity, but in a narrative and the past the opposite.

In the original work, the director created a group of characters immersed in the complex and changeable cultural environment, who wandered away from the system, and the director used his imaginative and creative heart to make their emptiness and loneliness poetic. The director then developed a similar personal style. Therefore, we see the intoxication of crime and sexual disorder, development to cannot extricate themselves from the youth; The dumb bunny, the retarded whore, the black dwarf, the transvestite, and the cat abused teen in "kiwi"; The broken arm in "Julian the donkey", the black man with albinism, and the hero with neurological disease. The cranky impersonators of celebrities in Mr. Lonely, the slow twisters in nursing homes: the rebellious, defiant teenagers and tattooed mobsters in "holiday"; There are also some very destructive old people who are completely out of touch with normal values, hiding in dark corners of the city. The above characters, who straddle the system, stubbornly attempt to give private opinions and establish their own way of thinking, which naturally leads to a unique theatrical expressiveness. This particular dramatic expression falls in the eyes of the director, constituting a unique world of physically handicapped special people, and the more ordinary role of pure kindness makes people feel more sincere and brave.

Mr Lonely, there is a group of isolated utopia life imitators, Marilyn Monroe, Charlie Chaplin, Michael Jackson... They lived together and presented a stage show of song and dance, acrobatics and skits, but the audience was pitifully small. This section in addition to using a similar light colors and lines arrangement to John card savi, the murder of underground boss said the respect, but also embodies the colin to similar to a variety show, stage artistes and touring troupe has a special liking type things.

One of the director's works has been attacked fiercely and also because of the director's drama complex. The director is obsessed with the ancient skills and firmly supports the ancient traditional performance forms. The acrobat stood bravely on the lonely stage, and tried to show all his skills to the few audiences, so as to get a small payment. Such a form of performance was very impressive. Director was very yearning to become a tap dancer, his each work is not hard to see his love of tap: in days of paradise actress Linda menzies had skipped a few minutes in the strange boy, tap dance, the lonely Mr An impersonation of lovers to imitate the famous classic performances of tap dancer, high respect and miss to the artist. A similar carnival atmosphere can be found in "junk insurance poles" and "spring break". These two films show the metaphor generated by the contrast between blurry picture and high-definition picture. The first is an eerie, pale face filled with the hormones of youth. But actually the two films are like an indivisible whole, with some similarities. In the film's larger plot lines, unbridled debauchery and appalling terror are turned into a seemingly endless feast. The characters celebrate in various ways at this feast that they have worked hard to fulfill their long-cherished wishes, freed themselves from bondage and gained a certain social status and rich material wealth, and become more free in spirit. This is exactly the carnival feature of these two films which are rendered with masks, makeup and other rituals. The characters in the film are deeply immersed in the Bohemian environment, free from the traditional repression, breaking the constraints of order and discourse, destroying the inherent separation of classes, and finding the way to express the emotions gathered for a long time.

There is no conventional narrative structure of the causes, processes, and outcomes of ordinary stories in this director's work. "Kiwi boy", for example, has two main lines: one is a young boy who spends his days in the city streets killing stray cats for pleasure, indulging in drugs, loafing, having sex with insane sex workers, and killing an unconscious old man out of good intentions. The other is the girls, led by dott, who care only about grooming, playing, discussing boys, and caring for and looking after lost domestic cats. The two main lines combine special elements similar to documentaries, including the questioning of real characters and the plots derived from real life. There is also a special character, who is born disabled and unable to speak and wears extravagant and eccentric decorations, who separates boys from girls. The author's other two works still use this way of narration. Their seemingly scattered and unrelated plots also have certain rules and die out at a random time.

The collage of fragments also has a completely random, disintegrating order, and disappears at a natural moment of disillusionment. Thematically, they address a problem: the nomads and dreamers who create their own reality and live within it, pure souls and persistence are not stable. The director makes these two completely separate, keeping them unattached to other things. Another "holiday" has several different works, works seem only contains one day story lines, the protagonists on his journey, with the continuous development of the plot, the same dialogue be repeatedly mentioned, with a background music is played repeatedly, images of playback with special skills also repeated shots a little slower, these all make the story becomes complicated. The opening and closing styles of the film are similar, and all have the sound of shooting. This environment is full of fantastic fantasy and misty fog, and the movie's eternal vacation is sealed into a flowing endless story, like an endless dream. The director tries his best to depict a special system, that the stories are random and do not affect each other. "I think of it as an old family photo album," he once said of his work. "there are strawberries planted by the mother next to the child's pet, next to you, staggering as you walk for the first time, and next to you, when you travel in Africa." Each photo tells its own story and is unconnected, and when viewed as a whole, they are the best vehicle for the family story. He doesn't think that people's real life will be the same as in the movies. Deep in his heart, he thinks that the things happening around people are independent, hard to connect them with straightforward logic, and his works have inherited this idea.

During his days in northern Europe, the director met the Muse who wrote Mr. Lonely. While he was wandering aimlessly through the local village, he came across a very sad lady who led him to their stables, where the bodies of many horses had been piling up and had been dead for a long time, their stiff legs pointing with despair and anger at the still blue skies of northern Europe. On the way home, he conceived of Mr. Lonely. The long-dead body of evidence of life has long since disappeared, desperately pointing towards the firmament on which this classic work has taken root. The director took visual effects very seriously and practiced a lot, trying to create an unprecedented visual experience.

As a radical attempt "amazing kid", the photographer makes yves apotheker fe brought film is deeply rooted in the hearts of the people's main body color. "Donkey boy Julian" also tries out the feasibility of DV filming, with colin loving DV intimacy and immediacy, maximising the cast's framing sense and facilitating improvisation. The film expresses this special journey with unrelated stories, unconventional editing and dim and out-of-focus colors, making the film infinitely close to the mental state of its hero Julian. A similar out-of-focus, sordid visual effect was created with the garbage bumper, also tried out on a home video camera. With special shooting equipment, "holiday" builds up the mysterious film picture. Repeatedly slowing down the lens speed and detailed expression brings the audience into it, making the audience immersive. Most importantly, it is a metaphor for the American dream that is no longer prosperous and empty.

Colin expressed in most of the film in Europe director Alan clark's salute, especially in such aspects as shots and lens model, they weaken the boundary between the existence and unreal. The film makes the audience feel as if they are in outer space. The exotic beauty, weightlessness and lost charm are integrated into the film. For colin, "the truth that a film is 24 squares per second" is a lie that cannot be believed. He believes that everything in the work must conform to the reality, even if there is no complete sense of reality, even the documentary film will have some artificial or even fabricated plot. What the director can do is a trade-off between external reality and internal nothingness. But the director also feel that kind of artistic conception from the sky, can't find any artificial manipulation or idea, the best example of this is Charles fatigue "night of the hunter. Fuzzy truth and non-truth are not only a design out of style, but also an aesthetic strategy that cannot be interpreted.

Colin does not agree that the world tries to analyze his work with the subtleties or connotations of the written word. There is no doubt that his work opens up a very complicated way of denying easy criticism. When "strange boy" was first screened at the festival, a large number of film and television fans left because they could not tolerate animal cruelty. "Even if the content of the film is entirely divorced from reality, the aspects of moral issues, poverty and sexual norms are very prominent and unquestionably relentless." There may be doubt about whether the director still has the goodness of "the beginning of man", but it is undeniable that some of the plots in the work still touch and even hurt the audience. The more fussy "junk safety" is perhaps the director's most mortifying film, in which the insane and elderly show all the ugliness, while the film occasionally showcases waltzing, piano, temporary pain and creative beauty. Many times in his works are descriptions of the "American landscape" and contemporary representation of the American dream.

This landscape is present in the garbage in the bumper, silent no one night and traditional community architecture, hiding in the shadows of the rows of trash can been lit by the dim lights, wearing strange masks "destroyer" vent to their dissatisfaction with impulse and relentlessly, celebrating in this planet is forgotten; The little village of kiwi, where the citizens of numbness and poverty have nothing to do because of a devastating tornado, is a canceled American dream. Spring break, on the other hand, is more like a dream that is about to be shattered. It shows people immersed in violence, pleasure and decadence in the camera, and they tend to go to the edge of chaos and dangerous fanaticism before they can wake up.

Haney Colin opened a very complex and the negative comments, easily destroyed by rough distinguish between culture and useless thoughts, forgotten about the existence or nothing, ethics, and the darkness of the dualist position, as well as into the American core culture and ideal felt very interesting. The violence in colin's works is often accompanied by the existence of humor, and the blurring of truth and non-truth is not only a design out of style, but also an aesthetic strategy that cannot be interpreted. He made an extraordinary exploration of the theme of American core culture and dream, presenting the American dream in an anatomical way.

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