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Paper代写:The artistic style of Mozart's opera

2017-12-05 | 来源:51due教员组 | 类别:Paper代写范文

下面为大家整理一篇优秀的paper代写范文- The artistic style of Mozart's opera,供大家参考学习,这篇论文讨论了莫扎特歌剧的艺术风格。莫扎特歌剧的艺术风格是丰富的,而这些艺术风格都是透过他所创造的音乐展示给世人的。他始终固守着自己的创作原则――音乐在歌剧中占据着主导的地位。剧中无论是角色性格的刻画、内心情感的表述还是戏剧冲突的制造等,都是使用令人信服的美妙音乐来实现的。

Mozart's opera,莫扎特歌剧,英国论文代写,paper代写,论文代写

Mozart is a great musician, his works not only in the international arena for a long time, but also the vocal music learning and teaching indispensable material. This article summarizes the artistic style of Mozart Opera from many aspects, in order to help vocal music learners and singers.

Mozart was a great composer of Austria, and he was very much in love with the creation of operas, not only in quantity but also in all the operas and innovations of the time. His most famous opera is "The Harem lures Escape" "The Wedding of the" "Don Juan" "Woman Heart" "Flute". These classics are produced in the Vienna period, we have to study the artistic style of his opera, we must dig from these works.

The drama of the Mozart Opera is mainly embodied in the duet, Aria and Chorus.

Ensemble in Mozart's opera is to promote the development of the plot, revealing the conflict between the important means, it has played a pivotal role in strengthening opera drama. Mozart's quartet has a duet, trio, and even seven quartet, which occupies a considerable proportion in the opera. For example, in the wedding of the opera "fee plus Luo", the composer arranged a total of 9 quartet, which accounted for 32% of the total repertoire. Thus, Mozart has taken the quartet as an important means of performing opera drama.

There are many dramatic arias in Mozart's operas, which are distinctive in character and play an important role in supporting drama. For example, in the opera "The Magic Flute", the High Priest Salastro's aria "in this Holy Temple", with bass unique to the vigorous, broad timbre, slow plate speed and the steady tone of the internal strength presented, sang a solemn solemn theme, showing the light and the Divine invincible power. After the night of the aria "Revenge Pain", the high difficulty dazzling technical style of the tone, highf ups and downs, the rapid flow scale, breaking through the lyrics described by the pure horror, fully enrich the aria's emotional connotations, so that music full of dramatic conflict and tension.

The final music of Mozart's opera ended with a splendid chorus, which also produced a dramatic effect. For example, the opera "Magic Flute", with the final chorus to foil a happy ending.

The Mozart opera is rich in the breath of German folk music.

In the first act of the opera "The wedding of the fee plus Luo", the theme of play's ballad is actually the beginning sentence of the German folk song "The Illegal Hunter".

In the opera "The Magic Flute" the Papaguino's aria "I am the Happy Fowler" is actually a rich German ballad style of the three-section song; Salastro's aria "In this hallowed hall" clearly absorbs the tones of the German Protestant chant; Pamina's aria "I lost all my happiness." The color of G minor reflects the shadow of the traditional German folk song, while the glorious chorus keeps the traditional German male chorus.

In the opera "Magic Flute" Whether it is a folk song flavor of the aria or complex brilliant chorus, whether it is a single melody language or vertical harmony language, whether the plot design or characterization, Mozart used a rich German national color music language to express. As Mozart said, "We Germans should have German-style ideas, German-style play, German-style singing." ”

The artistic style of Mozart Opera embodies a kind of true humanism spirit, which is mainly embodied in five aspects.

The Mozart operas are all living people who can find prototypes in social life. Mozart used music to put them all on the stage, giving the character a personalized music language, the characters no matter male, female, treble, bass, various types of characters and parts can be found in his opera the famous aria. Through their chant to revive the characters in the drama, let the audience better understand the inner world of the characters in the play, so that each character lifelike, vivid and true to show in front of the audience.

Just look at the role of women, there is the grace of the Countess, her ballad play "The Courtship God to give me comfort" and the aria "Where to find the good time", through the lyrical melody to express the Countess's extremely dramatic emotion; The intelligent Susanna, the lively, nimble, melodious aria "The Wonderful moment will come", Showed her bright personality characteristics; After the powerful night, her very dramatic aria, the flame of revenge, will be the night after the kind of high, arrogance domineering character performance incisively and vividly, the Pamina, using soft and dim minor colors and very singing, lyrical aria I lost all the happiness, showing her longing for love, helpless weak woman characteristics.

Even in the same work, the musical qualities of different characters are distinctive. For example, in the wedding of "fee plus Luo", the Ballad of play, the music characteristic is fast, firm, show a kind of third class revolt spirit. And for an ordinary supporting actor Cherubino, whether "You can know what is Love" or "Why I am uneasy" everywhere carefully designed a young man to love the longing and confused, so his musical characteristics are restless and unstable. The Countess, whether it's a ballad play, "The Courtship God gives me comfort" or the aria "Where to look for the good times" all embodies is the serene, the soft, the melodious music characteristic, manifests the aristocratic feminine the extraordinary temperament.

Through the above analysis, it can be seen that Mozart's use of music means to make the character's personality characteristics in the music to maximize performance. Because in Mozart's opera, every character has its unique, distinctive musical image, so someone has praised: "Mozart is the 18th century great music portrait artist."

The themes chosen by Mozart's operas have a distinct epochal nature.

The sensational opera "fee plus Luo's wedding", the selected theme reflects the sharp social contradictions at that time. The play revealed the contradictions between the nobility and the civilian, ridiculed and hit the upper echelons of the power of society, strongly criticized the feudal aristocracy of the various privileges, until the attack on the feudal autocratic system, while praising the third-class people's wit, courage. The protagonist fee plus Luo represents the third class of civilians, he with his resourcefulness and highly qualified to maintain their own love and marriage, and through the mouth of the fee plus Luo to scold the nobility: "Because you are a big aristocrat, you think you are a great genius!" The lineage, the property, the knighthood, the high-ranking officials, all this makes you so complacent! What have you done with so much enjoyment? You just make some effort when you're out of the womb, and you have something else. ”

Mozart's opera music language is easy to understand, approachable, which he is familiar with, like folk music and the creation of democratic tendencies is inseparable. In his creation, Mozart was particularly attentive to the listeners ' reactions, trying to catch listeners ' ears and even their hearts. In his letter to his father, December 16, 1780, he said: "You don't have to worry about the popularity of what you're talking about, except for the donkey's ears and all the things that people need in my opera." ”

In the opera "The Magic Flute", he will have the sacred, the solemn religious color music and the bright, cheerful secular color music. Duet "Papaguino, Papaguina", the rhythm is crisp and lightsome, the melody jumps hearty, adds lively, lively, even is some comical stage performance, is full of humorous and humorous temperament.

It is because of the popularity of Mozart's opera music that his operas will be popular with the masses and long lasting.

The opera "The Wedding of Fei Luo" adapted from the French playwright Beaumarchais's comedy, "the trilogy of fees and charges", the play was once regarded as a pioneer in France, and Mozart, even though he did not have a deep understanding of the revolutionary idea of Beaumarchais himself, would have made him aware of the antagonism between the nobility and the commoners, And by the influence of the movement of the hurricane and the idea of enlightenment, the choice of such subjects reflects his desire to eliminate the traditional social practice, so it can be said that the content of the opera has a sharp ideological.

The opera "Don Juan" is to arouse people's freedom of individuality, to strive for the debate of the right to happiness and to pay attention to the issue of ethics and morals; women's heart is about the chastity of women; the mythological opera "The flute" is ostensibly a popular comedy or a children's play. But what is implied is the moral preaching and fraternity concept that represents the spirit of Freemasonry.

Mozart's heyday of the life of distress, disease, but his work has never revealed his painful news, he is more optimistic than others to express life.

In the opera of the flute, Prince Tamino symbolizes goodness and truth; The Fowler's fear of Gino is the representative of the common man who pursues freedom, happiness and optimism; the high priest Salatro is the messenger of Light, and his noble sentiments have influenced the Revenge of the night after the evil incarnation. The end of the play is a happy ending by trying to make a lover. The expression of wisdom in the play will prevail over ignorance, and the light will prevail over the darkness, and the goodness shall prevail over the evil faith. We can see the utopian ideals of Mozart, as the chorus of the opera finale sings: "Victory will eventually belong to the bravest, and the virtues and wisdom shall shine forever." After two months of this opera, Mozart died tragically in the and, but in this opera we did not feel the sadness of Mozart's real life and the looming shadow of death. Mozart succeeded in giving his own optimistic life faith in this fairy-tale opera, leaving us with perpetual joy and light.

Just as a poem carved in the doorway of a German opera house: "Bach brings us the word of God, Beethoven brings us the flame of God, and Mozart brings us the laughter of God." ”

From the above five points of analysis can be drawn: Mozart with extremely pure music form of humanitarian spirit, Mozart Opera has a humanistic spirit of the artistic charm.

Mozart's artistic style is rich, and these artistic styles are shown to the world through the music he creates. He always clings to his creative principles. ―― Music occupies a dominant position in the opera. In the play, whether it is the characterization of character, the expression of inner emotion or the manufacture of drama conflict, it is realized by using convincing music. Paul Henry Lang, a western music historian, describes Mozart's music in his book "Music in Western Civilization": "between each clause, every natural breathing interval of a singer is full of music, and it seems that the instrument is energized and sung." ”

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