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Paper代写:The recitative in Mozart's opera

2018-01-11 | 来源:51due教员组 | 类别:Paper代写范文

下面为大家整理一篇优秀的paper代写范文- The recitative in Mozart's opera,供大家参考学习,这篇论文讨论了莫扎特歌剧中的宣叙调。宣叙调是一种具有叙述和吟唱性质的曲调。它以语言的音调为基础,节奏感自由,并且伴奏简单。歌剧、清唱剧等叙述或抒情较弱的戏剧中,多使用宣叙调来推进情节的发展,丰富作品的内涵,使人物形象更加鲜明,主题更加清晰。宣叙调被大量用于莫扎特的歌剧中,丰富了作品的表现力。它不仅渲染了歌剧的整体氛围,而且有利于歌剧作品整体结构的完善。

Mozart's opera,莫扎特歌剧,英国论文代写,paper代写,论文代写

Mozart, as a world-famous composer, has many excellent works in his life. He is not only a famous Austrian composer, but also a representative of the Vienna Classical music faction. His works are of various kinds, whether in opera, piano solo or symphony. Among them, his achievements in opera are particularly prominent. This paper analyzes the application of recitative in Mozart's opera performance by analyzing Mozart's opera representative's wedding, "The Magic Flute" and "Don Juan".

Recitative is a kind of melody with narrative and singing nature. It is based on the tone of the language, freedom of rhythm, and simple accompaniment. Opera, oratorio and other narration or lyrical weak drama, the use of recitative to promote the development of the plot, enrich the content of the works, so that the characters more vivid, clearer theme.

Mozzat Wolfgang Amadeus. Although his life has only a short period of 31, but his contribution to music creation is immeasurable. Mozart's life is composed of various styles of music, rich in content. Among them, "Fei-Luo's Wedding" "Don Juan" "The Magic Flute" and so on represent his creation achievement. Recitative was widely used in Mozart's operas, enriching the expressive force of the works. It not only renders the whole atmosphere of opera, but also contributes to the perfection of the whole structure of opera works. There are many researches on the literary works of recitative singing style in Mozart's opera, which not only help us to better understand the application of recitative in opera, but also provide theoretical basis for the future generations of composers in opera creation.

The application of recitative in Mozart's works is expressed in many forms. For example, narrative application, lyrical application, rhythmic application, no rhythm application, etc. Recitative as a form of emotional expression, seemingly simple, but the composer wants to in the opera to Xuan

Opera is generally based on real life, more from the real life from the material, pay attention to the character image and psychological portrayal of the authenticity. Recitative in the opera is free, the singer in the performance process, can be based on environmental factors for free play. Recitative is different from the general opera dialogue, performers need to analyze the characters ' language, speed and language potential, and reveal the emotional color of the works. Recitative is an indispensable emotional element in Mozart's opera, its application in opera is beneficial to the performance of the characters ' emotions, the advancement of the story, and lays the foundation for the performance of the latter part of the opera.

Although recitative plays an important role in the opera, it also has its own independent singing style. In the opera, the mastery of recitative must be distinguished from the singing characteristics of the ordinary drama, whether it be rhythm, intensity or wording. The mastery of recitative in the opera must also be based on the integrity of the whole opera and complement and foil the works.

Xi Opera is different from the opera, it is mainly to ridicule to satirize the real life of the ugly people and things. Critical consciousness is particularly evident in the opera. Hi Opera is often entrusted with the author's thoughts and feelings, values and the perception of life, so the subjective consciousness is relatively strong. Performers in the performance process to pay attention to their own subjective initiative, by grasping the character and psychological characteristics to strengthen the recitative in the opera expression. At the same time, to apply recitative to the opera, we must distinguish what language and attitude should be used to express the psychological and personality characteristics of the characters in different contexts.

The performance of recitative in the opera is very different from that in the opera. Singers in the performance process to hold recitative emotional color, in order to better control and application. Taking "The wedding of Fei-Luo" As an example, this paper discusses the manifestation of recitative in Xi Opera. First of all, "The wedding of Fei-Luo," The Count of the recitative of the doubt, with the manner of a brawl singing, not only can be very good interpretation of his mood at that time, but also conducive to the characterization of character characteristics. The application of recitative in Xi Opera not only enriches the expressive force of the whole work, but also paves the way for the advancement of the story plot.

The application of recitative in opera not only enriches the connotation of opera, but also contributes to the integrity of the whole structure of opera. The application of recitative in opera enriches the diversity of the screen and field, and makes the opera more tortuous and lively. The application of recitative in the screen and field not only favors the better cohesion and combination of the opera, but also helps to strengthen the structure and layout of the works. Take "Don Juan" as an example, the whole opera altogether two acts, whether is the first act or the second act, the recitative all appeared two times. This arrangement not only makes the structure of the whole work more complete, but also has a clearer context.

The plot is the main part of the opera. The proportion of recitative in plot development is not very large. But recitative is an indispensable element to promote the development of opera plot. Aria occupies a dominant position in the development of opera, but it can not ignore the role of recitative in the plot development of the works. The application of recitative in opera makes the opera plot more and more ups and downs, and the emotional color is richer. To the audience has brought a wealth of visual enjoyment and spiritual sentiment. If the opera only plot, lack of recitative rendering, the overall style will appear pale, mediocre, unable to bring the audience ups and downs of the sensory enjoyment.

There are a lot of examples of recitative's rendering of the plot in the wedding of bill. For example, Suzanne found that recitative in the eavesdropping story, the use of the figure, not only depicts the character's mentality, but also the relationship in the form of emotional advancement.

Both literary works and opera works, the author spends a lot of effort to render and modify the climax. The application of recitative in opera not only promoted the development of the whole drama, but also enriched the expressive force of opera works. Still, for example, "The wedding of the recitative", in the Fourth Act tenth appeared the singing of Suzanne. Recitative's application here can both express the psychological activity of Susanna and change the atmosphere of the opera. It adopts the method of the first suppression, which lays the emotional tone for the arrival of the climax of the opera. Recitative and Drama is different, it is a relatively short time of the emotional eruption point, it often with the ARIA, orchestra and other interaction, promote the arrival of the dramatic climax.

In the early days, recitative was used in operas to advance the plot and foil the atmosphere. However, with the application of recitative in Mozart's works, the opera has undergone great changes both in theme and structure, making recitative an integral part of opera works. The use of recitative in Mozart's opera works is an important turning point in the course of recitative development. It plays a leading role in the formation of new thinking in the later stage of opera creation.

The recitative of the opera is determined by the environmental atmosphere of the whole opera and the psychology of the characters in the play. Performers in the recitative to sing the time to be particularly grasp the psychology of the characters, as well as the link between the plot. Opera characters are particularly rich in the performance of the opera as an example, Xi Opera characters more diverse, and exaggerated performance. Therefore, the Recitative concert in the opera has some difficulties.

Both literary works and opera works, the character relationship and character is an indispensable element of composing the work. The application of recitative in opera plays an important role in portraying characters. In "The wedding of the recitative", the Count's singing to the singer, he was able to show his greedy, lustful personality characteristics.

Opera is an inseparable part of the development of European art and plays an important role in the history of European art development. Recitative, as an important manifestation of opera, has been praised by the composer of later generations. The application of recitative in European operas not only makes the plot, character and theme of the opera Fuller, but also makes the opera's performance more flexible and diversified. Through the analysis of Mozart's opera works, this paper expounds the application and performance of recitative in his works, and provides reference and theoretical basis for the development of contemporary operas in China. Both Aria and recitative play an important role in opera performance, which lays an important foundation for the growth and development of opera.

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