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Paper代写-Alan parker's film

2018-08-08 | 来源:51due教员组 | 类别:Paper代写范文

下面为大家整理一篇优秀的paper代写范文- Alan parker's film,供大家参考学习,这篇论文讨论了艾伦·帕克的电影。英国导演艾伦·帕克具有很高的知名度,他在创作过程中十分注重追求独创性,满足观众的审美需求,同时继承了现实主义风格的英国电影传统。在艾伦·帕克的电影中,结合的是当下社会中的显著政治问题或者真实历史事件,在尽量还原的同时,表达他个人的政治观点和人道主义理想。

Alan parker's film,艾伦·帕克,英国论文代写,论文代写,paper代写

As the two countries share the same language and culture, American films are more closely related to British films than any other country. This situation directly increases the difficulty in distinguishing British and American films and defining British films. "There are people who think the UK spends more than 50 per cent of its money on films, which are British films. Others judge from an actor's point of view, from a storyline's point of view. Here, we do such a definition: mainly directed by British director and mainly British actor, truthfully and mainly reflects the national culture, national culture and national spirit of the film is the film "by that standard, the British director Alan parker, many of the films can be divided into the British film, but his work is with English. In the author's opinion, British style refers to a realistic creation style gradually formed by British film directors in the tortuous development of domestic films, which is totally different from the creation purpose of Hollywood "dream-making". Alan parker, a hugely influential British director who works in the us, was asked in an interview why he didn't sign on to Hollywood. I think I'm a stranger because obviously I have a British complex." What he refers to as "independent" includes the creative motivation different from Hollywood, as well as the continuation of his British film style. At the same time, his outstanding achievements in American film industry also benefited from his constant exploration and breakthrough of British style.

Alan parker, chairman of the British film council, believes the British film industry can only prosper if it sticks to the realist tradition. He has publicly expressed his favorite director is the pioneer of realism movie Ken loach, many of his works, as Ken loach style, the pursuit of true as far as possible, but Alan parker's works is not completely in the sense of realism, which also contains his personal appeal and subjective emotional color.

Alan parker is a director with a strong sense of social responsibility. His political films are always created in combination with significant political problems or real historical events in the current society. While trying to restore them as much as possible, they express personal political views and humanitarian ideals.

"Angela's Ashes" is an adaptation of Frank McCourt's novel Angela's Ashes, about the tragic experience of her mother, wife, daughter and her family. Although Alan parker did not display the poor life completely, but still in detail the performance of a real feeling Angela a difficult: Angela perennial wearing only a cousin to send the old coat, the eldest son lance when I was a child without shoes, hunger, frans licked parcel fries the oily be soiled his hunger in the newspaper... On top of that, Alan parker repeatedly expressed his sympathy for the Angela family's plight by showing the Irish weather: the incessant rain, the fog-shrouded shannon, the water flowing into the house.

Based on Roddy Doyle's novel The Commitments, The dream chaser mainly shows The process of The band "The Commitments" from establishment to dissolution, reflecting The "soulless" mentality of The marginalized Irish people at that time. The director reflects the emptiness of the Irish people through the representation of their lives at that time: men have no career pursuits, live on the dole, women have no control over fertility, children don't go to school and go crazy on the street In contrast to the novel, Alan parker intensifies his portrayal of Ireland's dark, grimy external environment, adding a scene dispatch to Ireland's dreary street scene, a representation of the hopeless social environment that foreshadows the band's tragic ending.

In terms of theme expression, British films always insist on thinking and paying attention to serious and profound social problems. Ellen? Although many of parker's films have the characteristics of commercialization and postmodern form, they are of great ideological depth. His emphasis on the audience's aesthetic needs and the film's ideological depth prompts him to present profound themes in a popular way.

The film industry generally believes that British films have two remarkable characteristics: the lofty temperament and the implicit sense of humor. The former is the universal feature of European films, while the latter is unique to British films. As a British, Alan parker obviously inherited this characteristic, and with the development of the culture of banter and entertainment in the post-modern culture, the public's gamification of expression makes him good at expressing serious or even heavy themes with black humor, which achieves the effect of irony and self-mockery at the same time.

The narrative plot of Alan parker's film is relatively simple, but through his use of interwoven comparative narrative structure and reconstruction of narrative structure, he can often convey a rich ideological connotation, and at the same time show the reality of people's life more comprehensively and truly.

"The so-called 'intersecting contrastive structure' model in the film narration refers to that although the structure mode also follows the linear time sequence of plot development, it sets two or more narrative clues at the same time. The complex contrasting relationships between events and characters with distinct features and orientations are obvious or intricate." Alan parker will explore deeper internal conflicts in the comparison of plot clues and present the real life in a more comprehensive way to trigger the audience's thinking on the real society.

Mrs. Doubtfire can be divided into two clues: the young couple's "health maintenance" in Dr. Kylo's sanatorium, and Charles's entrepreneurial process of establishing a breakfast business. Looking at each clue individually does not present a sharp conflict, but when Alan parker skillfully intersperses the two clues, the hidden contradictions in the text become apparent. While Dr. Kylo was an advocate of vegetarian, ascetic, skinny, and other unendurable methods of fitness, Charles's factory was filthy, and he had no qualms about his diet. The collision of two life styles and ideas of tempering desire and random is presented through the comparison of two clues, which is full of sarcasm and profound meaning. Meanwhile, the picture is also featured with humor and spectacle, and the audience cannot help thinking about what is a healthy life style.

"Birdman" takes the experience of two ordinary American soldiers in the Vietnam war and reflects on its impact. From the perspective of time and space, the whole film can be divided into three clues: the good days before the war, the horrible experiences during the war and the painful present time after the war. The first two clues are interspersed in the present time, which greatly enriches the plot structure and deepens the narrative content. At the same time, birdman is actually a dual representation of the inner and outer worlds of birdman and his friend al. The episodic content of the past is the memories of al and birdman. These selective memories reflect their thoughts and feelings. Although these episodes are episodic, they do not fully represent the past life scenes of the two of them, but they are an image of their inner world. Compared with the time and space after the war, it fully and truly reflects the physical damage and psychic harm caused by the war. The delirious bird-man and the physically disabled al are a critique of society, of the human condition: the crazy is the world, not the bird-man and al.

In order to show the drama in reality, Alan parker presupposes the conflict of plots and endows the scene of life with interesting significance. Usually, the plot development of a feature film follows the structure pattern of "beginning -- development -- climax -- ending", especially the traditional Hollywood films that mainly attract audiences with plot twists and turns, as well as realistic films that need to reproduce the occurrence process of events. Alan parker is good at breaking the conventional narrative: "Mississippi burning" reflects the American racial discrimination still exists in the 1960 s, the film's first lens is a public drinking water of the Mississippi, two taps is in stark contrast, marked with the words "white" advanced clean drinking water equipment, marked "colored" faucet is backward, 1 minute, 6 seconds a black children show, very naturally, it is unfair to abide by the rules, in mark "colored" under the faucet of drinking water. This ordinary life scene of drinking water is handled with a shocking intensity. The simple long lens tells the background of the prevalence of racial discrimination, and at the same time, it starts to show the conflict in front of the audience.

The opening of the film is also dramatic, with parents preparing to go out to the awards ceremony in a big, busy family, mothers busy dressing up, naughty children playing at their mothers' side, and fathers preparing suits in another room. The father who should be filled with a happy smile suddenly burst into tears, the next father dialed out of the ambiguous telephone will be the husband of the affair, the emotional crisis in the happy family directly exposed to the audience. The beginning of the film is obviously different from the general family ethics film, in which Alan parker presents the drama and the tension of the details of life incisively and vividly.

"Inversion is a common technique used in the creation of mini-novels. It refers to the unexpected ending of the story as it develops, which is the opposite of the previous story This technique can show both the delicacy of the story and the amazing effect. From the perspective of film creation, this technique is both the reconstruction of narrative structure and the rebellion of plot mode. Alan parker is a creative director whose artistic style is quite variable. In his works, such reversals can be seen everywhere, especially the reversals ending, which is usually open-ended.

The main theme of birdman is reflection, the whole tone is sad and helpless, but the ending is beyond everyone's expectation. Al finally realized, "this is a crazy world! And wanted to take birdman out of a mental hospital, and birdman was finally "awakened" by al's explosive charge and willing to talk to him. At this point, the whole film reaches a climax, and the fast-paced music and quick lens editing create a tense atmosphere when the two escape. At last, al overthrew all the guards and fled to the roof with the birdman. He did his best to block the gate of the roof and looked back. When all the audience thought that the film pointed to a tragic ending, they saw the birdman happily turn around on the next level roof and ask "What?" The ending surprised and pleased all the audience, but they worried about the future: can this crazy world hold their simple soul? The seemingly happy ending contains too many uncertain factors, leaving enough space for the audience to imagine. In this kind of imagination, the audience must think deeply about the social order and human survival.

The shot on the plot of the reverse also gives the general does not have the deep meaning of family ethics play, her husband in front of the virtuous wife couldn't find their rightful place in the family, chose to cheat, led directly to the contradiction between the two even divorce, but the tacit understanding between them show that the family at heart is not broken. Film a routine of the traditional family ethics play, choose the open-ended: when his wife and lover and friends together happily at the party, the emergence of the jealous husband broke the situation of joy, he was driving crashed his wife and her lover together to build the tennis court, destroyed the party, and wrestling with his wife's lover. Although it is a vicious act of violence, the husband ACTS like a guard to drive away people who do not belong to the family, and completes his self-redemption and finds his own place in the family. The last picture of the film is fixed on the hand that the husband extends to the wife. Will the wife forgive him? Alan parker did not give the audience a clear explanation. This kind of reversal and ending make the audience wonder: in the family life, which is more important, the couple's emotional needs, family responsibilities and family order? What role should a husband and wife play in the family to maintain balance?

As a British director working in the United States, Alan parker sticks to the tradition of British films and integrates with the expression of Hollywood, which is recognized by professionals and loved by a wide audience. His creation method with respect to tradition and innovation is worth learning by Chinese filmmakers.

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